Name: Mike Oldfield
Occupation: Composer
Gender: Male
Height: 175 cm
Birth Day: May 15, 1953
Age: 71
Birth Place: England
Zodiac Sign: Taurus
DOB in Roman: V.XV.MCMLIII

Mike Oldfield

Mike Oldfield was born on 15 May 1953(71 years old) in England. Mike Oldfield is Composer, Zodiac sign - Taurus. More detail about Mike Oldfield given below.

About Mike Oldfield

Composer noted for his intricate creations. He merged progressive rock, global music, and folk music.

Mike Oldfield before fame

His most renowned record,"Tubular Bells", was released in 1973 and was the first album released by Virgin Records. The title track was a top-selling song in both the United Kingdom and the United States.

Achievement of Mike Oldfield

His 1983 song 'Moonlight Shadow,' which featured Scottish vocalist Maggie Reilly on vocals, was so famous that it was covered multiple times and extensively used in other media.

Salary 2020

Not known

Net Worth 2020

$45 Million

Mike Oldfield family life

He had three marriages and three divorces, and he has seven children. His sister Sally and brother Terry were both successful musicians who collaborated with him on several of his recordings.

Associations of Mike Oldfield

His song"Tubular Bells" was used as the title tune for the 1973 film"The Exorcist", starring Linda Blair.

Mike Oldfield Height, Weight & Physique Measurements

Weight in kg - N/A
Height 175 cm
Eye Color N/A
Hair Color N/A

Mike Oldfield Timeline

  • 1953

    Oldfield was born on 15 May 1953 in Reading, Berkshire, to Raymond Oldfield, a general practitioner, and Maureen (nu00e9e Liston), a nurse of Irish descent. He has two elder siblings, sister Sally and brother Terence. When Oldfield was seven his mother gave birth to a younger brother, David, but he had Down syndrome and died in infancy. His mother was prescribed barbiturates, to which she became addicted. She suffered from mental health problems and spent much of the rest of her life in mental institutions. She died in early 1975, shortly after Oldfield had started writing Ommadawn.

  • 1968

    Oldfield took up the guitar aged ten, first learning on a 6-string acoustic that his father gave him. He learned technique by copying parts from songs by folk guitarists Bert Jansch and John Renbourn that he played on a portable record player. He tried to learn musical notation but was a "very, very slow" learner; "If I have to, I can write things down. But I donu0027t like to". By the time he was 12, Oldfield played the electric guitar and performed in local folk and youth clubs and dances, earning as much as u00a34 per gig. During a six-month break from music that Oldfield had around this time, he took up painting. In May 1968, when Oldfield turned fifteen, his school headmaster requested that he cut his long hair. Oldfield refused and left abruptly. He then decided to pursue music on a full-time, professional basis.

  • 1969

    After leaving school Oldfield accepted an invitation from his sister Sally to form a folk duo The Sallyangie, taking its name from her name and Oldfieldu0027s favourite Jansch tune, "Angie". They toured England and Paris and struck a deal with Transatlantic Records, for which they recorded one album, Children of the Sun (1969). After they split in the following year Oldfield suffered a nervous breakdown. He auditioned as bassist for Family in 1969 following the departure of Ric Grech, but the group did not share Roger Chapmanu0027s enthusiasm towards Oldfieldu0027s performance. Oldfield spent much of the next year living off his father and performing in an electric rock band named Barefoot that included his brother Terry on flute, until the group disbanded in early 1970.

  • 1970

    In February 1970, Oldfield auditioned as the bassist in The Whole World, a new backing band that former Soft Machine vocalist Kevin Ayers was putting together. He landed the position despite the bass being a new instrument for him, but he also played occasional lead guitar and later looked back on this time as providing valuable training on the bass. Oldfield went on to play on Ayersu0027s albums Shooting at the Moon (1970) and Whatevershebringswesing (1971), and played mandolin on Edgar Broughton Band (1971). All three albums were recorded at Abbey Road Studios, where Oldfield familiarised himself with a variety of instruments, such as orchestral percussion, piano, Mellotron, and harpsichord, and started to write and put down musical ideas of his own. While doing so Oldfield took up work as a reserve guitarist in a stage production of Hair at the Shaftesbury Theatre, where he played and gigged with Alex Harvey. After ten performances Oldfield grew bored of the job and was fired after he decided to play his part for "Let the Sunshine In" in 7/8 time.

  • 1971

    By mid-1971, Oldfield had assembled a demo tape containing sections of a longform instrumental piece initially titled "Opus One". Attempts to secure a recording deal to record it professionally came to nothing. In September 1971 Oldfield, now a session musician and bassist for the Arthur Louis Band, attended recording sessions at The Manor Studio near Kidlington, Oxfordshire, owned by businessman Richard Branson and run by engineers Tom Newman and Simon Heyworth. Branson already had several business ventures and was about to launch Virgin Records with Simon Draper. Newman and Heyworth heard some of Oldfieldu0027s demos and took them to Branson and Draper, who eventually gave Oldfield one week of recording time at The Manor, after which Oldfield had completed what became "Part One" of his composition, Tubular Bells. He recorded "Part Two" from February to April 1973. Branson agreed to release Tubular Bells as the first record on the Virgin label and secured Oldfield a six-album deal with an additional four albums as optional.

  • 1973

    Tubular Bells was released on 25 May 1973. Oldfield played more than twenty different instruments in the multi-layered recording, and its style moved through diverse musical genres. Its 2,630,000 UK sales puts it at No. 34 on the list of the best-selling albums in the country. The title track became a top 10 hit single in the US after the opening was used in The Exorcist film in 1973. It is today considered to be a forerunner of the new-age music movement.

  • 1974

    In 1974, Oldfield played the guitar on the critically acclaimed album Rock Bottom by Robert Wyatt.In late 1974, his follow-up LP, Hergest Ridge, was No. 1 in the UK for three weeks before being dethroned by Tubular Bells. Although Hergest Ridge was released over a year after Tubular Bells, it reached No. 1 first. Tubular Bells spent 11 weeks (10 of them consecutive) at No. 2 before its one week at the top. Like Tubular Bells, Hergest Ridge is a two-movement instrumental piece, this time evoking scenes from Oldfieldu0027s Herefordshire country retreat. It was followed in 1975 by the pioneering world music piece Ommadawn released after the death of his mother Maureen.

  • 1975

    In 1975, Oldfield recorded a version of the Christmas piece "In Dulci Jubilo" which charted at No. 4 in the UK.In 1975, Oldfield received a Grammy award for Best Instrumental Composition in "Tubular Bells u2013 Theme from The Exorcist".

  • 1976

    In 1976, Oldfield and his sister joined his friend and band member Pekka Pohjola to play on his album Mathematicianu0027s Air Display, which was released in 1977. The album was recorded and edited at Oldfieldu0027s Througham Slad Manor in Gloucestershire by Oldfield and Paul Lindsay. Oldfieldu0027s 1976 rendition of "Portsmouth" remains his best-performing single on the UK Singles Chart, reaching No. 3.

  • 1978

    Oldfield recorded the double album Incantations between December 1977 and September 1978. This introduced more diverse choral performances from Sally Oldfield, Maddy Prior, and the Queenu0027s College Girls Choir. When it was released on 1 December 1978, the album went to No. 14 in the UK and reached platinum certification for 300,000 copies sold.In June 1978, during the recording of Incantations, Oldfield and his siblings completed a three-day Exegesis seminar, a controversial self-assertiveness program based on Werner Erhardu0027s EST training program. The experience had a significant effect on Oldfieldu0027s personality, who recalled that he underwent a "rebirth experience" by reliving past fears. "It was like opening some huge cathedral doors and facing the monster, and I saw that the monster was myself as a newborn infant, because Iu0027d started life in a panic." Following the Exegesis seminar, the formerly reclusive Oldfield granted press interviews, posed nude for a promotional photo shoot for Incantations, and went drinking with news reporters. He had also conquered his fear of flying, gained a pilotu0027s license, and bought his own plane.Oldfield has been married three times and has seven children. In 1978 he married Diana Fuller, a relative of the Exegesis group leader, which lasted for three months. Oldfield recalled that he phoned Branson the day after the ceremony and said he had made a mistake. From 1979 to 1986, Oldfield was married to Sally Cooper, who he met through Virgin. They had three children, daughter Molly and sons Dougal (1981u20132015) and Luke. Shortly before Lukeu0027s birth in 1986, the relationship had broken down and they amicably split. By this time, Oldfield had entered a relationship with Norwegian singer Anita Hegerland, lasting until 1991. The pair had met backstage at one of Oldfieldu0027s gigs while touring Germany in 1984. They lived in Switzerland, France, and England. They have two children: Greta and Noah. In the late 1990s, Oldfield posted in a lonely hearts column in a local Ibiza newspaper. It was answered by Amy Lauer and the pair dated, but the relationship was troubled by Oldfieldu0027s bouts of alcohol and substance abuse and it ended after two months. In 2001, Oldfield began counselling and psychotherapy. Between 2002 and 2013, Oldfield was married to Fanny Vandekerckhove, who he had met while living in Ibiza. They have two sons, Jake and Eugene.

  • 1979

    In 1979, Oldfield supported Incantations with a European tour that spanned 21 dates between March and May 1979. The tour was documented with the live album and concert film, Exposed. Initially marketed as a limited pressing of 100,000 copies, the strength of sales for the album were strong enough for Virgin to abandon the idea shortly after, transferring it to regular production. During the tour Oldfield released the disco-influenced non-album single "Guilty", for which he went to New York City to find the best session musicians and write a song with them in mind. He wrote a chord chart for the song and presented it to the group, who completed it in the studio. Released in April 1979, the song went to No. 22 in the UK and Oldfield performed the song on the national television show Top of the Pops.Oldfieldu0027s music was used for the score of The Space Movie (1980), a Virgin Films production that celebrated the tenth anniversary of the Apollo 11 mission. In 1979, he recorded a version of the signature tune for the BBC childrenu0027s television programme Blue Peter, which was used by the show for 10 years.Oldfieldu0027s fifth album, Platinum, was released in November 1979 and marked the start of his transition from long compositions towards mainstream and pop music. Oldfield performed across Europe between April and December 1980 with the In Concert 1980 tour.

  • 1980

    In 1980, Oldfield released QE2, named after the ocean liner, which features a variety of guest musicians including Phil Collins on drums. This was followed by the European Adventure Tour 1981, during which Oldfield accepted an invitation to perform at a free concert celebrating the wedding of Prince Charles and Lady Diana in Guildhall. He wrote a new track, "Royal Wedding Anthem", for the occasion.

  • 1982

    His next album, Five Miles Out, followed in March 1982, which features the 24-minute track "Taurus II" occupying side one. The Five Miles Out World Tour 1982 saw Oldfield perform from April to December of that year. Crises saw Oldfield continue the pattern of one long composition with shorter songs. The first single from the album, "Moonlight Shadow", with Maggie Reilly on vocals, became Oldfieldu0027s most successful single, reaching No. 4 in the UK and No. 1 in nine other countries. The subsequent Crises Tour in 1983 concluded with a concert at Wembley Arena to commemorate the tenth anniversary of Tubular Bells. The next album, Discovery, continues with this trend, being the first single "To France" and subsequent tour Discovery Tour 1984.

  • 1988

    Oldfield later turned to film and video, writing the score for Roland Joffu00e9u0027s acclaimed film The Killing Fields and producing substantial video footage for his album Islands. Islands continued what Oldfield had been doing on the past couple of albums, with an instrumental piece on one side and rock/pop singles on the other. Of these, "Islands", sung by Bonnie Tyler and "Magic Touch", with vocals by Max Bacon (in the US version) and Glasgow vocalist Jim Price (Southside Jimmy) in the rest of the world, were the major hits. In the US "Magic Touch" reached the top 10 on the Billboard album rock charts in 1988. During the 1980s, Oldfieldu0027s then-wife, Norwegian singer Anita Hegerland, contributed vocals to many songs including "Pictures in the Dark".

  • 1989

    Released in July 1989, Earth Moving features seven vocalists across the albumu0027s nine tracks. It is Oldfieldu0027s first to consist solely of rock and pop songs, several of which were released as singles: "Innocent" and "Holy" in Europe, and "Hostage" in the US.

  • 1991

    in February 1991, Oldfield released his final album for Virgin, Heavenu0027s Open, under the name "Michael Oldfield". It marks the first time he handles all lead vocals. In 2013, Oldfield invited Branson to the opening of St. Andrewu0027s International School of The Bahamas, where two of Oldfieldu0027s children were pupils. This was the occasion of the debut of Tubular Bells for Schools, a piano solo adaptation of Oldfieldu0027s work.

  • 1992

    By early 1992, Oldfield had secured Clive Banks as his new manager and had several record label owners listen to his demo of Tubular Bells II at his house. Oldfield signed with Rob Dickins of WEA Warner and recorded the album with Trevor Horn as producer. Released in August 1992, the album went to No. 1 in the UK. Its live premiere followed on 4 September at Edinburgh Castle which was released on home video as Tubular Bells II Live. Oldfield supported the album with his Tubular Bells II 20th Anniversary Tour in 1992 and 1993, his first concert tour since 1984. By April 1993, the album had sold over three million copies worldwide.

  • 1994

    Oldfield continued to embrace new musical styles, with The Songs of Distant Earth (based on Arthur C. Clarkeu0027s novel of the same name) exhibiting a softer new-age sound. In 1994, he also had an asteroid, 5656 Oldfield, named after him.

  • 1995

    In 1995, Oldfield continued to embrace new musical styles by producing the Celtic-themed album Voyager. In 1992, Oldfield met Luar na Lubre, a Galician Celtic-folk band (from A Coruu00f1a, Spain), with the singer Rosa Cedru00f3n. The bandu0027s popularity grew after Oldfield covered their song "O son do ar" ("The sound of the air") on his Voyager album.

  • 1998

    In 1998, Oldfield produced the third Tubular Bells album (also premiered at a concert, this time in Horse Guards Parade, London), drawing on the dance music scene at his then new home on the island of Ibiza. This album was inspired by themes from Tubular Bells, but differed in lacking a clear two-part structure.

  • 1999

    During 1999, Oldfield released two albums. The first, Guitars, used guitars as the source for all the sounds on the album, including percussion. The second, The Millennium Bell, consisted of pastiches of a number of styles of music that represented various historical periods over the past millennium. The work was performed live in Berlin for the cityu0027s millennium celebrations in 1999u20132000.

  • 2002

    He added to his repertoire the MusicVR project, combining his music with a virtual reality-based computer game. His first work on this project is Tr3s Lunas launched in 2002, a virtual game where the player can interact with a world full of new music. This project appeared as a double CD, one with the music, and the other with the game.In 2002 and 2003, Oldfield re-recorded Tubular Bells using modern equipment to coincide the 30th anniversary of the original. He had wanted to do it years before but his contract with Virgin kept him from doing so. This new version features John Cleese as the Master of Ceremonies as Viv Stanshall, who spoke on the original, died in the interim. Tubular Bells 2003 was released in May 2003.

  • 2004

    On 12 April 2004 Oldfield launched his next virtual reality project, Maestro, which contains music from the Tubular Bells 2003 album and some new chillout melodies. The games have since been made available free of charge on Tubular.net.

  • 2005

    In 2005, Oldfield signed a deal with Mercury Records UK, who secured the rights to his catalogue when the rights had reverted back to himself. Mercury acquired the rights to Oldfieldu0027s back catalogue, in July 2007. Oldfield released his first album on the Mercury label, Light + Shade, in September 2005. It is a double album of music of contrasting mood: relaxed (Light) and upbeat and moody (Shade). In 2006 and 2007, Oldfield headlined the Night of the Proms tour, consisting of 21 concerts across Europe. Also in 2007, Oldfield released his autobiography, Changeling.Oldfield has self-recorded and produced many of his albums, and played the majority of the featured instruments, largely at his home studios. In the 1990s and 2000s he mainly used DAWs such as Apple Logic, Avid Pro Tools and Steinberg Nuendo as recording suites. For composing orchestral music Oldfield has been quoted as using the software notation program Sibelius running on Apple Macintoshes. He also used the FL Studio DAW on his 2005 double album Light + Shade. Among the mixing consoles Oldfield has owned are an AMS Neve Capricorn 33238, a Harrison Series X, and a Euphonix System 5-MC.

  • 2007

    In 2007, Oldfield criticised Britain for being too controlling and protective, specifically concentrating on the smoking ban which England and Wales had introduced that year. Oldfield then moved from his South Gloucestershire home to Palma de Mallorca, Spain, and then to Monaco. He has lived outside the UK in the past, including in Los Angeles and Ibiza in the 1990s and, for tax reasons, Switzerland in the mid-1980s. In 2009, he moved to the Bahamas and put his home in Mallorca up for sale. Oldfield stated in an interview with The Times in 2017 that he is a supporter of US President Donald Trump, and that he would have been delighted to have played at the presidentu0027s inauguration ceremony. In the same interview, he also stated he was in favour of Brexit.

  • 2008

    In March 2008 Oldfield released his first classical album, Music of the Spheres; Karl Jenkins assisted with the orchestration. In the first week of release the album topped the UK Classical chart and reached number 9 on the main UK Album Chart. A single "Spheres", featuring a demo version of pieces from the album, was released digitally. The album was nominated for a Classical Brit Award, the NS&I Best Album of 2009.In 2008, when Oldfieldu0027s original 35-year deal with Virgin Records ended, the rights to Tubular Bells and his other Virgin releases were returned to him, and were then transferred to Mercury Records. Mercury announced that his Virgin albums will be reissued with bonus content from 2009. In 2009, Mercury released the compilation album The Mike Oldfield Collection 1974u20131983, that went to No. 11 in the UK chart.In 2008, Oldfield contributed a new track, "Song for Survival", to the carity album Songs for Survival in support of Survival International. Oldfieldu0027s daughter Molly played a large part in the project. In 2010, lyricist Don Black said that he had been working with Oldfield. In 2012, Oldfield was featured on Journey into Space, an album by his brother Terry, and on the track "Islanders" by German producer Torsten Stenzelu0027s York project. In 2013, Oldfield and York released a remix album entitled Tubular Beats.Oldfield is a motorcycle fan and has five bikes. These include a BMW R1200GS, a Suzuki GSX-R750, a Suzuki GSX-R1000, and a Yamaha R1. He says that some of his inspiration for composing comes from riding them. Throughout his life Oldfield has also had a passion for building and flying model aircraft. Since 1980, he has been a licensed pilot and has flown fixed wing aircraft (the first of which was a Beechcraft Sierra) and helicopters (including the Agusta Bell 47G, which featured on the sleeve of his cover version of the ABBA song "Arrival" as a pastiche of their album artwork). He is also interested in cars and has owned a Ferrari and a Bentley which was a gift from Richard Branson as an incentive for him to give his first live performance of Tubular Bells. He has endorsed the Mercedes-Benz S-Class in the Mercedes UK magazine. Oldfield also considers himself to be a Trekkie. He noted in an interview in 2008 that he had two boats.

  • 2012

    Oldfield performed live at the 2012 Summer Olympics opening ceremony in London. His set included renditions of Tubular Bells, "Far Above the Clouds" and "In Dulci Jubilo" during a segment about the National Health Service. This track appears on the officially released soundtrack album Isles of Wonder. Later in 2012, the compilation album Two Sides: The Very Best of Mike Oldfield, was released which reached No. 6 in the UK.

  • 2013

    In October 2013, the BBC broadcast Tubular Bells: The Mike Oldfield Story, a documentary on Oldfieldu0027s life and career.

  • 2014

    Oldfieldu0027s latest rock-themed album of songs, titled Man on the Rocks, was released on 3 March 2014 by Virgin EMI. The album was produced by Steve Lipson. The album marks a return of Oldfield to a Virgin branded label, through the merger of Mercury Records UK and Virgin Records after Universal Musicu0027s purchase of EMI. The track "Nuclear" was used for the E3 trailer of Metal Gear Solid V: The Phantom Pain.

  • 2015

    In 2015, Oldfield told Steve Wright on his BBC radio show that a sequel album to Tubular Bells was in early development, which he aimed to record on analogue equipment. Later in 2015, Oldfield revealed that he had started on a sequel to Ommadawn. The album, named Return to Ommadawn, was finished in 2016 and released in January 2017. It went to No. 4 in the UK. Oldfield again hinted at a fourth Tubular Bells album when he posted photos of his new equipment, including a new Telecaster guitar.

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